Kamis, 31 Oktober 2013

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Juice Jargon: How to talk about wine, by Stephen Reiss

First published in 2004, Juice Jargon has been the text of choice for wine schools around the world. Its no nonsense approach to talking about wine has been adopted by those who have tired of the vinobabble of the mainstream wine press. With just a handful of everyday common words Dr. Reiss has shown the world not only how to talk about wine, but how to actually share the experience of tasting a wine. As the author of WineEducation.com and with his experience garnered from teaching wine courses for over ten years, and twenty years as a wine steward before that, Stephen Reiss has shown an uncanny knack for making the daunting approachable for wine lovers of every level. More than just a treatise on talking about wine, and more than just a wine dictionary, Juice Jargon is a primer for all aspects for anyone wishing to know more about the world of wine. The new fifth edition continues on the tradition of the last decade, with updates to reflect the ever changing landscape of wine.

  • Sales Rank: #4598299 in Books
  • Published on: 2013-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .75" w x 6.00" l, .98 pounds
  • Binding: Paperback
  • 332 pages

About the Author
Dr. Stephen Reiss, Ph.D., C.W.E. has been teaching wine since the 1980s. As a wine steward at some of Aspen's most prestigious restaurants, he was able to learn how people learn about wine. This led to the publication of his best selling book: Juice Jargon. His website WineEducation.com has introduced millions of visitors to a no nonsense way of enjoying wine, without the hype, and above all else, without the fear. For the last several decades Dr. Reiss has been writing about the wines of the world, having traveled to not only the usual wine regions, but well off the beaten trail in places like Bulgaria, India and Thailand. He currently lives in the middle of the vineyards of Argentina, but you may expect to find him anywhere the wine is flowing.

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0 of 0 people found the following review helpful.
Good beginer'
By Aardvark55
Very clear and understandable.

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Minggu, 27 Oktober 2013

[Y127.Ebook] Ebook Download Microeconomic Theory: A Mathematical Approach, by James M. Henderson, Richard E. Quandt

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Microeconomic Theory: A Mathematical Approach, by James M. Henderson, Richard E. Quandt

  • Sales Rank: #3802953 in Books
  • Published on: 1980-09-01
  • Ingredients: Example Ingredients
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 593 pages

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Jumat, 25 Oktober 2013

[L993.Ebook] Fee Download Aristotle and Dante Discover the Secrets of the Universe, by Benjamin Alire Saenz

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Aristotle and Dante Discover the Secrets of the Universe, by Benjamin Alire Saenz

This Printz Honor Book is a “tender, honest exploration of identity” (Publishers Weekly) that distills lyrical truths about family and friendship.

Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common. But as the loners start spending time together, they discover that they share a special friendship—the kind that changes lives and lasts a lifetime. And it is through this friendship that Ari and Dante will learn the most important truths about themselves and the kind of people they want to be.

  • Sales Rank: #3138 in Books
  • Published on: 2014-04-01
  • Released on: 2014-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.50" l, .67 pounds
  • Binding: Paperback
  • 368 pages

From Booklist
When Aristotle and Dante meet, in the summer of 1987, they are 15-year-olds existing in “the universe between boys and men.” The two are opposites in most ways: Dante is sure of his place in the world, while Ari feels he may never know who he is or what he wants. But both are thoughtful about their feelings and interactions with others, and this title is primarily focused on the back-and-forth in their relationship over the course of a year. Family issues take center stage, as well as issues of Mexican identity, but the heart of the novel is Dante’s openness about his homosexuality and Ari’s suppression of his. Sáenz (Sammy and Juliana in Hollywood, 2004) writes toward the end of the novel that “to be careful with people and words was a rare and beautiful thing.” And that’s exactly what Sáenz does—he treats his characters carefully, giving them space and time to find their place in the world, and to find each other. This moves at a slower pace than many YA novels, but patient readers, and those struggling with their own sexuality, may find it to be a thought-provoking read. Grades 9-12. --Ann Kelley

Review
* "A tender, honest exploration of identity and sexuality, and a passionate reminder that love—whether romantic or familial—should be open, free, and without shame." (Publishers Weekly, starred review)

* "Authentic teen and Latino dialogue should make it a popular choice." (School Library Journal, starred review)

* "Meticulous pacing and finely nuanced characters underpin the author's gift for affecting prose that illuminates the struggles within relationships." (Kirkus Reviews, starred review)

"Sáenez writes toward the end of the novel that “to be careful with people and words was a rare and beautiful thing.” And that’s exactly what Sáenez does—he treats his characters carefully, giving them space and time to find their place in the world, and to find each other...those struggling with their own sexuality may find it to be a thought-provoking read." (Booklist)

"Sáenz has written the greater love story, for his is the story of loving one’s self, of love between parents and children, and of the love that builds communities, in addition to the deepening love between two friends." (VOYA)

"Ari’s first-person narrative—poetic, philosophical, honest—skillfully develops the relationship between the two boys from friendship to romance." (The Horn Book)

"Primarily a character- and relationship-driven novel, written with patient and lyrical prose that explores the boys’ emotional lives with butterfly-wing delicacy."--Bulletin of the Center for Children's Books

"Sáenz is a master at capturing the conversation of teens with each other and with the adults in their lives." (Library Media Connection, Recommended)

"This book took my breath away. What gorgeous writing, and what a story! I loved both these boys. And their parents! Don't we all wish we had parents like theirs? The ending - and the way it unfolded - was so satisfying. I could go on and on...suffice it to say I will be highly recommending it to one and all. I'm sure I'll reread it myself at some point. I hated having it end." (James Howe, Author of Addie on the Inside)

"I’m absolutely blown away. This is Saenz's best work by far...It’s a beautiful story, so beautifully told and so psychologically acute! Both Ari and Dante are simply great characters who will live on in my memory. Everything about the book is absolutely pitch perfect...It’s already my favorite book of the year!" (Michael Cart, Booklist columnist and YALSA past president)

“Benjamin Alire Saenz is a writer with a sidewinder punch. Spare sentences connect resonant moments, and then he knocks you down with emotional truth. The story of Ari and Dante’s friendship widens and twists like a river, revealing truths about how hard love is, how family supports us, and how painfully deep you have to go to uncover an authentic self.” (Judy Blundell, National Book Award-winning author of What I Saw and How I Lied)

About the Author
Benjamin Alire Sáenz is an author of poetry and prose for adults and teens. He is the winner of the PEN/Faulkner Award and the American Book Award for his books for adults. Aristotle and Dante Discover the Secrets of the Universe was a Printz Honor Book, the Stonewall Award winner, the Pura Belpre Award winner, the Lambda Literary Award winner, and a finalist for the Amelia Elizabeth Walden Award. His first novel for teens, Sammy and Juliana in Hollywood, was an ALA Top Ten Book for Young Adults and a finalist for the Los Angeles Times Book Prize. His second book for teens, He Forgot to Say Goodbye, won the Tomás Rivera Mexican American Children’s Book Award, the Southwest Book Award, and was named a New York Public Library Book for the Teen Age. He teaches creative writing at the University of Texas, El Paso.

Most helpful customer reviews

37 of 39 people found the following review helpful.
Breathtakingly beautiful, moving, and poetic...
By Larry Hoffer
Let's talk about how tremendously much I loved this book.

Aristotle ("Ari") is a sensitive yet somewhat angry 15-year-old growing up in Texas in the 1980s. The baby of the family, he feels disconnected from his older sisters, and his older brother went to prison when Ari was very young, and his family never speaks of him. He also feels as if his father, a Vietnam vet suffering from PTSD, is a mystery to him, and he wishes that weren't the case. He spends most of his days alone, distant from others.

"In order to be wildly popular you had to make people believe that you were fun and interesting. I just wasn't that much of a con artist."

One day at the local swimming pool, Ari meets Dante, a boy his age from another high school. Dante offers to teach Ari how to swim, and the two begin an intense friendship. Their conversations touch on poetry, art, their shared Mexican-American heritage (of which Dante is less enamored), and the way they don't quite "get" their parents, although Dante's relationship with his parents is much more open and emotionally honest. which Ari envies.

"I was mostly invisible. I think I liked it that way. And then Dante came along."

As their relationship intensifies, Ari finds himself simultaneously needing Dante's friendship and being scared by that need. He's still not willing to confront his parents with the questions he has about his father and his brother, which makes him angrier and sadder. And when a split-second decision leaves their friendship on unequal footing, Dante reveals that his feelings for Ari are stronger than friendship. Ari doesn't want to lose Dante's friendship but he's not willing to deal with Dante's feelings.

What will it take for us to lay down the armor we have around our hearts, to put aside our anger and sadness and realize that we are worthy of love and being loved? How can a person determined never to need anyone let themselves actually need someone? How can you tell the difference between friendship and love? Benjamin Alire Saenz's novel is so beautifully poetic, so emotional--it's funny, heartbreaking, frustrating, and rewarding. Just like life is.

I thought the characters in this book were so beautifully drawn. While at times Ari's anger, depression, and withdrawal was a little frustrating, watching his character transition in a realistic way was worth it. I found myself re-reading paragraphs that I marveled at, both because of Saenz's use of language and because I was so moved.

Some have expressed frustration that the resolution of the book felt incomplete. While I might agree, it didn't take away from my enjoyment of this book at all. I do hope, however, given the response to this book, that Saenz might consider writing a follow-up, because I'd love to know what happens next.

I read a lot, and this year alone, have read some phenomenal books. Without a doubt, Aristotle and Dante Discover the Secrets of the Universe is one of those.

1 of 1 people found the following review helpful.
I liked this a lot, but... it comes with a surprising but.
By Bogi Takács
I read this for the #ReadProud challenge, Week 3.

This was a contemporary gay YA novel featuring Mexican-American teenage boys. It was a very fast read, with many many very short chapters - I have a weakness for short chapters, so I liked this a lot.

It had wonderful characterization, and angsty teens who came across as actual angsty teens and not some sort of novelistic cliché. I especially loved that (minor spoiler at the end*) - I had that experience (with being trans) where other people knew before I did, and it is not something I see in fiction a lot. I also liked that the parents were well-rounded people and characters in their own right.

I also really liked the cover and the fact that 1. there was calligraphy on the cover 2. the calligrapher was credited (Sarah Jane Coleman).

But there was one part where I did feel that the book kicked me in the jaw, and not in a good sense. This is a major spoiler, and it is about anti-trans hate crimes:

(spoilers from here onward)

The crime that the protagonist's older brother is jailed for is revealed toward the end as.... he killed a trans woman ("transvestite" - sic) sex worker in what seemed to have been a "trans panic" episode. Now. It is made amply clear throughout the book that the brother committed a real crime, so I was glad that it was revealed to be a real crime and he wasn't innocent. BUT. The fact that a lot of the plot involves the family coming to terms with his being in prison, AND the fact that out of ALL possible crimes, the author had to choose this one, really made me feel uncomfortable. I will also probably not pick up the upcoming sequel, because I really don't want to see more 'coming to terms with' with that. This was just one paragraph in the book, but it really soured me on it. Without this paragraph, it would have been an easy five stars... but this changed the interpretation of an entire plotline, and in a way that felt gratuitious to me, especially seeing as this was the only time trans people appeared in the novel.

and the minor spoiler from above:

* - one of the characters had to be cluebatted about being gay

My usual disclaimer about where I got this book: I bought this one with my own money.

2 of 2 people found the following review helpful.
Don't Miss It!
By Essix8592
I was pleasantly surprised by this book. I had read the reviews and saw that they were mostly favorable, but I was worried that I wouldn't be able to relate as a caucasian adult. My worries were unfounded.

The story unfolded slowly at parts but there was always a purpose. I gave 4 stars because I was left wanting a little more at the ending of the book, but the story was mostly closed by the time the words stopped appearing on the pages. Dante and Ari were both interesting characters and I found parts of myself reflected in each of them. I highly suggest you read this book, especially if you enjoy LGBT fiction.

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Senin, 21 Oktober 2013

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Edgar Allan Poe's Tales of Mystery and Madness, by Edgar Allan Poe, Gris Grimly

A sweet little cat drives a man to insanity and murder....
The grim death known as the plague roams a masquerade ball dressed in red....
A dwarf seeks his final revenge on his captors....
A sister calls to her beloved twin from beyond the grave....
Prepare yourself. You are about to enter a world where you will be shocked, terrified, and, though you'll be too scared to admit it at first, secretly thrilled. Here are four tales -- The Black Cat, The Masque of the Red Death, Hop-Frog, and The Fall of the House of Usher -- by the master of the macabre, Edgar Allan Poe. The original tales have been ever so slightly dismembered -- but, of course, Poe understood dismemberment very well. And he would shriek in ghoulish delight at Gris Grimly's gruesomely delectable illustrations that adorn every page. So prepare yourself. And keep the lights on.

  • Sales Rank: #24878 in Books
  • Brand: Atheneum Books for Young Readers
  • Model: 9780689848377
  • Published on: 2004-09-01
  • Released on: 2004-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 7.00" l, 1.17 pounds
  • Binding: Hardcover
  • 144 pages
Features
  • Used Book in Good Condition

From School Library Journal
Grade 6 Up–Grimly's deliciously malevolent illustrations are the perfect complement to Poe's macabre stories. Four of the writer's most popular tales are presented in an abridged format: "The Black Cat," "The Masque of the Red Death," "Hop-Frog," and "The Fall of the House of Usher." The watercolor and pen-and-ink artwork is populated with deftly drawn cartoon humans, animals, and other beings, many with grotesque or sinister expressions. The pictures cover, crisscross, or circle the margins of the pages and are often contained in ornate art-deco frames along with small blocks of text. Libraries needing an additional copy of Poe's writings should consider this one.–Susan Scheps, Shaker Heights Public Library, OH
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Gr. 7-12. Archetypal horror writer Poe has received a variety of graphically enhanced treatments in recent years, including a volume in Eureka Productions' Rosebud Graphic Classics series (2001) and Jonathan Scott Fuqua's In the Shadow of Edgar Allan Poe (DC Comics, 2002). This exceptionally well-produced collection of four tales will, perhaps, reach a wider audience. The gently abridged retellings are in Poe's original language, and Grimly's wonderfully ghastly, full-color spot and full-page art splendidly depicts the mayhem that leads to murder in "The Black Cat," the partying in the "The Masque of the Red Death," the vicious genius of "Hop-Frog," and the dual connotations of "The Fall of the House of Usher." In addition to varied sizes and presentation of images, Grimly uses different typefaces to set off aspects of the narratives, which flow across the pages in the traditional manner rather than appearing in comics-style panels. With high-production values and gothic sensibilities thoroughly reflected in both text and art, this is an essential purchase for libraries. Adults can use it to lead young people to some great literature; readers will pluck it off the shelves themselves for creepy, entertaining fun. Francisca Goldsmith
Copyright © American Library Association. All rights reserved

Review
Roger Corman Filmmaker, The Little Shop of Horrors The macabre beauty and sly wit of Gris Grimly's illustrated edition of some of Poe's best-loved tales are destined to capture the imagination of a generation new to the master of terror, as well as delight longtime admirers of Poe, who will find much to relish in this haunting interpretation.

Bernie Wrightson horror legend [Gris Grimly] captures the spirit of Poe in a fresh and classic way. Poe never looked so good.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Impeccable quality
By Amazon Customer
I read Edgar Allen Poe poems in school but none like this. The illustrations and the way the book is put together is just lovely. I can't express how much I enjoyed this book. The stories themselves are of course wonderful as well but what else would you expect from good old Edgar? I went so far as to look up the illustrator and will soon be getting new books put together in the same way. Shipping was fast also.

19 of 19 people found the following review helpful.
Buy it for the Art...
By Tim Hewitt
There are a multitude of Poe's out there to choose from, but the real draw here is the art of Gris Grimly. The book features slightly abridged texts for young readers of "The Black Cat," "The Masque of the Red Death," "Hop Frog," and "The Fall of the House of Usher." What makes this volume special is the way that text is embraced by and woven through Grimly's gloriously whimsical and twisted full color art that captures perfectly the macabre and maniacle tone of Poe. The volume is richly illustrated with art on every page. All in all a beautiful book and a great introduction to Poe for young readers of twisted tastes.

11 of 12 people found the following review helpful.
Horror Review
By Amazon Customer
I read Edgar A. Poe's Tales of Mystery and Madness. This book has 4 stories; Black Cat, The Masque of the Red Death, Hop Frog, and The Fall of the House of Usher. I won't go into detail about all the stories but my favorite story was The Masque of the Red Death.

The story starts with people who were having a masquerade at Prince Prospero's house. Each hour the clock chimed. At the 12th chime a person in a red cape came out of the clock and frightened everyone at the masquerade. Prince Prospero tried to kill him but the Prince died when he saw his face. Then, anyone who saw his face or dared to enter the red blood shot room died by bleeding to death. Will anyone survive? You will have to read it yourself to find out.

I though all of the stories in the book were scary and cool. I also thought the illustrations by Chris Grimley were very creative. I would recommend for anyone who likes horror to read this book.

David - age 9

See all 52 customer reviews...

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