Senin, 30 Januari 2012

[M704.Ebook] Get Free Ebook Range of Fashion, by George Shaheen

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Range of Fashion, by George Shaheen

For all of your fashion needs, George Shaheen has created 5 perfect tops that are full of life and fun to crochet. Each features a circular yoke and special details that experienced and intermediate crocheters will appreciate: Cabled Comfort, a long-sleeved pullover with a mock turtleneck and a jumbo cable accenting the yoke, in bulky yarn; Wheatberry, a long-sleeved cardigan with a collar and cuffs, in bulky yarn; Flowers for You, a sleeveless button-back top with a yoke of floral motifs, in size 3 crochet thread; Lace All Over, a super-airy long-sleeved tunic, in medium weight yarn; and All Buttoned Up, a sleeveless button-back top with button-shoulder yoke, in medium weight and bulky yarns. Each design is for sizes Extra-Small to Extra-Large.

  • Sales Rank: #2099585 in eBooks
  • Published on: 2014-02-06
  • Released on: 2014-02-06
  • Format: Kindle eBook

About the Author
Leisure Arts is a leading publisher and distributor of “how-to” and lifestyle publications with emphasis on creative crafts, needlework, decorating, and entertaining.  Leisure Arts is located in Little Rock, AR.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Range of Fashion
By Deanna Farnham
The pattern on the front cover it the only appealing item in the short list of five. I've done the sweater and I'm very happy with the results. Instructions were a bit vague in some areas, but for an experienced crafter this is fine. The other styles are very dated and I can't see ever making them. I really just paid for the one pattern. I'm happy with the purchase, but would have been happier if there was more than one useable pattern.

6 of 6 people found the following review helpful.
It's OK.
By Ken
I mainly bought the book for the pattern on the cover. I wasn't impressed by the other patterns (only 4) for the price of the book.

0 of 0 people found the following review helpful.
Great book
By Judy Hellmuth
This was a used book, so an excellent price and I received it way fast! To my delight, it was in "like new" condition even though the description said there were bent pages on one corner. Very pleased and can't wait to make the sweater on the cover, which was the reason I ordered the book.

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[B137.Ebook] Download Ebook A.I. Artificial Intelligence: From Stanley Kubrick to Steven Spielberg: The Vision Behind the FilmFrom Thames & Hudson

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A.I. Artificial Intelligence: From Stanley Kubrick to Steven Spielberg: The Vision Behind the FilmFrom Thames & Hudson

Reveals how the project originated and how it was brought to fruition through the efforts of two great movie directors.

Film is the medium of the modern age, and in this spectacular, large-format publication, one of the pinnacles of contemporary moviemaking is celebrated. A.I. Artificial Intelligence (2001) was a collaboration between two cinematic giants: Stanley Kubrick and Steven Spielberg. Here, the directors’ combined visions and sensibilities are presented along with the work of their remarkably talented colleagues―above all, Chris Baker, the film’s conceptual artist.

At the heart of the book are Baker’s drawings, many never before seen. Commissioned by Kubrick and used in Spielberg’s eventual production designs, the drawings display Baker’s imagination and rare technical skill. Accompanying the drawings are extracts from Kubrick’s notebooks, stills from the finished film, and photographs of behind-the-scenes action, highlighting the use of pioneering special effects, animatronic work, and the “virtual studio.” 300 color, 100 b&w illustrations

  • Sales Rank: #1122636 in Books
  • Published on: 2009-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.70" h x .90" w x 16.60" l, 4.94 pounds
  • Binding: Hardcover
  • 160 pages

Review
“A book… different from the coffee-table books of bygone times... that purports to disclose behind-the-scenes stories and to present a composite view of process as well as product. An important one” (The Architect's Newspaper)

“Suitable for film buffs; its insight into the planning of an epic film may attract students and filmmakers as well.” (Library Journal)

About the Author
Jane M. Struthers is Head of Publications at the University of the Arts, London, which houses the Stanley Kubrick Archive.

Jan Harlan was Executive Producer on a number of Kubrick films, including A.I. Artificial Intelligence, The Shining, Full Metal Jacket, and Barry Lyndon.

Jan Harlan was Executive Producer on a number of Kubrick films, including A.I. Artificial Intelligence, The Shining, Full Metal Jacket, and Barry Lyndon.

Chris Baker’s storyboards and conceptual artwork have been used in movies from Eyes Wide Shut to Indiana Jones and the Kingdom of the Crystal Skull.

Most helpful customer reviews

39 of 39 people found the following review helpful.
Very well researched and in depth
By Parka
[[VIDEOID:mo3BE2PO14H2HGR]]I was a bit surprised when I saw this book, published eight years after A.I. Artificial Intelligence was released. Time seems to stretch out with everything with this movie.

This book looks in depth at the production and also analyses the whole film thoroughly. If you don't already know, the film is inspired by a short story called "Super-Toys Last All Summer Long" written by Brian Aldiss in 1969. In 1976, Stanley Kubrick approached Brian Aldiss, and later with Steven Spielberg in 1984. With authorization from Kubrick before he passed away in 1999, Spielberg manages to finish the film in 2001. What happens during within all those time is all in the book. It's incredibly well researched and put together.

Besides production, there's also an extensive analysis of the film, act by act, with interviews from staff. It explores the philosophy, science and social-biology issues with robotics in the future. There's even an essay written by the director from the Personal Robots Group from MIT Media Lab.

This is one huge book measuring almost 20 inches diagonal, if go you by tv/monitor sizes. The pages are so big that the short story from Brian Aldiss are scanned and reproduced with handwritten notes.

Also included are storyboards and concept sketches from Chris Baker, as well as many photos from the set. It's interesting to see how the concept art evolved into actual sets and the discarded ideas. I didn't know that Rouge City, the one with lots of bright lights, is actually a miniature set. And Teddy, the bear, has more articulation joints than T-Rex from Jurassic Park. There are also extracts from Kubrick's notebooks but his handwriting is difficult to read.

This is a nice super-sized book looking at the art and making of the film. Recommended for fans of the movie.

(More pictures are available on my blog. Just visit my Amazon profile for the link.)

13 of 13 people found the following review helpful.
Finally...
By Flashfilms
A great and beautifully produced book about an enigmatic and mysterious film. The large format reproductions of Chris Baker's artwork are gorgeous. Stanley Kubrick's notes, annotations from Brian Aldiss, Ian Watson and Spielberg are gold. The editorials by Jan Harlan and Jane Struthers are fascinating and insightful, and at times quite moving -- especially Mr. Harlan's comment in the introduction, remarking on Stanley Kubrick's philosophy of filmmaking: 'First love it, and then worry about how to do it.'

For full disclosure, "A.I." was somewhat of a personal obsession, which haunted me from first reports that began appearing in the early days of the Internet rumor mill. Around the time of the film's release, I had the privilege to interview many of the filmmakers for an article about the film for Cinefex magazine, which I'm honored to see included in the 'recommended reading' notes of this book. One thing that my article lacked was Stanley Kubrick's voice. This book gives you that, in the annotations accompanying Chris's artwork and the observations of his colleagues. Bravo to Chris and to Thames & Hudson for pulling this material together; and to Messrs. Harlan and Spielberg, thank you for allowing this book to happen. It's long overdue, and it is a treasure.

Highly recommended.

Joe Fordham
Cinefex, associate editor

1 of 1 people found the following review helpful.
In depth look at Kubrick's (and Spielberg) AI.
By CarlosUNKNOWN
A nicely edited book, you will get to see lots of high quality scans from the concept artwork and from Kubrick's notebook, you will get to see Kubrick's hand writing, which I have to say, is difficult to read. You will not be disappointed, it is a must for fans of the movie and Kubrick. Just a warning: the book is huge, so might have a problem placing it on your bookshelf.

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Sabtu, 28 Januari 2012

[K263.Ebook] Download PDF Building on Air: The International Industrial Gases Industry, 1886-2006, by Raymond G. Stokes, Ralf Banken

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Building on Air: The International Industrial Gases Industry, 1886-2006, by Raymond G. Stokes, Ralf Banken

The industrial gases industry originated in 1886, when a London-based company began producing high-purity oxygen. Initially, purified oxygen was a solution in search of a problem, but demand for it soared early in the twentieth century with the emergence of welding technology. By then, dramatic technological improvements in air separation and purification had emerged, as had most key firms dominating the industry today. Building on air in the decades that followed, the firms expanded their product range and geographical reach to create applications that were essential to every manufacturing process in the modern world, from semiconductor production to oil refining, waste water treatment, and steel-making. This is the first scholarly history of this vital but invisible industry from its origins to the present. Based on unparalleled access to company and public archives, the book explores business and technological development, industrial evolution, and the industry's local roots and international and global reach.

  • Sales Rank: #3293807 in Books
  • Published on: 2015-10-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x 1.30" w x 5.98" l, .0 pounds
  • Binding: Hardcover
  • 479 pages

About the Author
Since 2005, Raymond G. Stokes has held the Chair of Business History at the University of Glasgow, where he also serves as Director of the Centre for Business History in Scotland. His book The Business of Waste: Great Britain and Germany, 1945 to the Present (with co-authors Roman Köster and Stephen Sambrook) was published by Cambridge University Press in 2013.

Ralf Banken is a Privatdozent at Johann Wolfgang Goethe University, Frankfurt and a researcher in the Department of History at the University of Cologne.

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Sabtu, 21 Januari 2012

[Y393.Ebook] PDF Download Second Language Acquisition: An Introductory Course, by Susan M. Gass, Jennifer Behney, Luke Plonsky

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Second Language Acquisition: An Introductory Course, by Susan M. Gass, Jennifer Behney, Luke Plonsky

Now in a fourth edition, this bestselling introductory textbook remains the cornerstone volume for the study of second language acquisition (SLA). Its chapters have been fully updated, and reorganized where appropriate, to provide a comprehensive yet accessible overview of the field and its related disciplines. To reflect current developments, new sections on using learner corpora, semantics and morphosyntax (within formal approaches to SLA), sociocultural approaches, gesture, priming research, and chaos theory have been added. Students will also find expanded discussions of heritage language learning, bilingualism, pragmatics, and much more.

The redesigned fourth edition of Second Language Acquisition retains the features that students found useful in the current edition but also provides new pedagogical tools that encourage students to reflect upon the experiences of second language learners. As with previous editions, discussion questions and problems at the end of each chapter help students apply their knowledge, and a glossary defines and reinforces must-know terminology. This clearly-written, comprehensive, and current textbook, by expert Sue Gass, is the ideal textbook for the introductory SLA course in second language studies, applied linguistics, linguistics, TESOL, and language education programs.

  • Sales Rank: #346103 in Books
  • Brand: Brand: Routledge
  • Published on: 2013-03-06
  • Released on: 2013-04-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.46" w x 7.00" l, 2.45 pounds
  • Binding: Paperback
  • 648 pages
Features
  • Used Book in Good Condition

Review

"The authors have managed to deliver an excellent updated overview of research in SLA. The inclusion of actual learner data, in several languages, invites the reader to reflect on methods of analysis, on hypothesis-building, and on interpretation. By being forced to think as a researcher, the reader develops an awareness of the multitude of choices that can affect outcomes, and becomes more critically appreciative of existing work. This is the perfect introduction to the fascinating mysteries of SLA." – Jean-Marc Dewaele, Birkbeck, University of London, UK

"Those familiar with the previous edition will be pleased with the new, intuitive organization of the book’s chapters. The content is also updated, and includes valuable new information on learner corpora, dynamic systems, gestures, psycholinguistic research, study abroad, etc. This book represents perhaps the best combination of breadth, depth, and accessibility among all current SLA textbooks." – Scott Jarvis, Associate Professor, Department of Linguistics, Ohio University

"In this updated and expanded fourth edition of Second Language Acquisition, Sue Gass and her co-authors have provided faculty and students with a first-rate introduction to the field. The coverage is broad and current, the style accessible, the discussions of theory and research findings balanced and insightful. Highly recommended." – Mike Long, Professor of SLA, University of Maryland

"The fourth edition of Second Language Acquisition continues to lead the field in textbooks for generalist SLA courses at the undergraduate and graduate level.It retains SLA’s comprehensive coverage of the field and its unique work with second language data samples while incorporating substantial up-to-date additions. New to this edition, the authors include pedagogical devices for student reflection throughout the chapters, a companion website, and "Points to Remember" summaries that make it even more accessible to students.This textbook has been required reading in my SLA courses since 2001, and it is truly gratifying to see how each edition trumps the last with regard to its value in today’s classroom." – Lucy Pickering, Associate Professor of Applied Linguistics, Texas A&M Commerce

The updated version of this classic textbook is perhaps the best general introduction to second language research currently available. It is wide in scope, covering both the history and breadth of the field, and expertly guides students in their discovery of creativity and systematicity in learner language.– David Stringer, Associate Professor, Department of Second Language Studies, Indiana University

"The new edition reflects a comprehensive, well-documented, and updated knowledge in SLA research. It can serve as an introductory course book for MA/MSc and PhD students in linguistics or other related fields, as well as an excellent resource book for SLA researchers and L2 instructors." - System

 

About the Author

Susan M. Gass is University Distinguished Professor in the Department of Linguistics and Germanic, Slavic, Asian and African Languages at Michigan State University.

Jennifer Behney is Assistant Professor of Second Language Acquisition and Italian at Youngstown State University.

Luke Plonsky is Assistant Professor of Applied Linguistics at Northern Arizona University.

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4 of 4 people found the following review helpful.
A head & shoulder above "An Introduction"
By Siavash Hedayati
Undoubtedly, this is a great book. The reason I rated four was because this book is much more technical that "An Introduction" to L2 acquisition. I felt some chapters are mainly related to theoretical linguistics than SLA or maybe my expectations were different the title of this book.
I would certainly recommend this book to those who are into applied linguistics an linguistics.

8 of 12 people found the following review helpful.
Poor-quality binding and haphazard-seeming layout
By Kelli
The layout of this book is distracting. Theories from linguistics seem poorly characterized and represented. The general tone of narration is unscientific. Perhaps I'm just not enamored of this approach to language acquisition, or to this field (second-language acquisition, ESL pedagogy), in general, so I suppose I shouldn't fault the author, who is eminent in the field. Perhaps it's just esthetics--I think the previous edition of this book is better laid-out and easier to read (typographically speaking). Major complaint is the poor quality of the book binding--the pages near the back of the book have started falling out and I've had to tape them back in, to hold them together. I take *exceptionally* good care of all my books, and I was hoping to sell this back, but the quality of the binding makes that impossible now.

0 of 0 people found the following review helpful.
its been a great, informative
By J R
Although I haven't finished reading the whole book, its been a great, informative, and beneficial book for me to read and study for
my TESOL Master's program. It has questions to challenge the reader and from time to time tasks to do. I would recommend to
any linguistic student or anyone preparing to become a TESOL/ESL instructor in the future.

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Selasa, 03 Januari 2012

[S779.Ebook] Ebook Free Portraits of a People: Picturing African Americans in the Nineteenth Century (Jacob Lawrence Series on American Artists), by Gwendolyn DuB

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Portraits of a People: Picturing African Americans in the Nineteenth Century (Jacob Lawrence Series on American Artists), by Gwendolyn DuB

Recently, a number of cutting edge African American artists have investigated issues of race and American identity in their work, relying on the use of historical source material and the subversion of archaic media. This scrutiny of little known, yet uncannily familiar, racialized imagery by contemporary artists has created a renewed interest in the politics of nineteenth-century American art and the role of race in the visual discourse. "Portraits of a People" looks critically at images made of and by African Americans, extending back to the late 1700s when a portrait of African-born poet Phillis Wheatley was drawn by her friend, the slave Scipio Moorhead. From the American Revolution until the Civil War and on into the Gilded Age, American artists created dynamic images of black sitters.In their effort to create enduring symbols of self-possessed identity, many of these portraits provide a window into cultural stereotypes and practices. For example, while some of these pictures were undoubtedly of distinct, named individuals, many are now known by titles that reference only generalized types, such as Joshua Johnston's painting Portrait of a Man, 1805-10, or the silhouette inscribed 'Mr. Shaw's blackman', cut around 1802 by the manumitted slave Moses Williams. By the middle of the nineteenth century, photography began to offer black sitters an affordable and accessible way to fashion an individual identity and sometimes obtain financial support, as in the case of the numerous cartes-de-visites produced during the 1860s and '70s that bear the image of the feminist activist Sojourner Truth above the text, 'I Sell the Shadow to Support the Substance'."Portraits of a People" features colour reproductions of over 100 important portraits in various media, ranging from paintings, photographs, and silhouettes to book frontispieces and popular prints. Essays by Gwendolyn DuBois Shaw consider silhouettes and African American identity in the early republic, photography and the black presence in the public sphere after the Civil War, and portrait painting and social fluidity among middle-class African American artists and sitters. This landmark publication will change the way that we view the images of blacks in the nineteenth century.

  • Sales Rank: #1700804 in Books
  • Published on: 2006-03
  • Original language: English
  • Number of items: 1
  • Dimensions: .45" h x 8.10" w x 11.00" l,
  • Binding: Paperback
  • 183 pages

From the Publisher
"Portraits of a People provides a new window onto the lives and the interests of the black folks who sat for these portraits and of the artists who constructed their images; lives that otherwise would have been less evident to us and whose visual trace might have been lost to the flux of history." -- Henry Louis Gates, Jr.

About the Author
Gwendolyn DuBois Shaw is associate professor of history of art at the University of Pennsylvania. Karen C. C. Dalton is the director and curator of the Image of the Black in Western Art Research Project and Photo Archive at Harvard University.

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